Olivia May

One of the joys of living in Los Angeles is meeting talented local artists, one such as the lovely Olivia May pictured here. She enlisted my help in creating an image that fits in with her classic country music.  I immediately start thinking of wide open spaces, golden light, guitars, cowboy boots and a pretty summer dress blowing in the wind

On to the first item in that list.  There’s a Japanese Garden nearby, part of the water treatment plant in Van Nuys, that’s been used for photo and film shoots a number of times.  I recall that on the way to the garden there happens to be a wide open park area with cycling and jogging trails, that’s also filled with a lot of lush, unmanicured natural growth, which I think will provide a fitting environment very nicely.

The weather, normally very reliably sunny, had been acting weird the past two weeks.  Low clouds, fog, overcast skies and chilly temperatures all around.  It literally felt like I was back in the Bay Area.  Luckily come shooting day though, not a cloud was in the sky, and the temperature was just about perfect.  Hot, but not sweltering.  Check!

Olivia May arrived wearing this stunning dress that she bought at a secondhand store.  What a score!  That’s one more item checked off on my list.

We had plenty of time.  I took a lot of shots at various spots in the park, but in my mind I only had one image I absolutely must have. All I needed is to wait until the sun comes down to around 15-20 degrees above the horizon.  At the appropriate time, I got Olivia in position with her guitar.  I placed her in the scene with the sun around 45 degrees behind her to her right, and snapped the photo.

I think this image captures the mood of her songs rather nicely.

 

I’ve been trying hard to get out of work earlier in order to catch the sunset. A couple of days ago I did manage to drive to downtown Los Angeles, hoping to catch a bit of sunset reflected off the highrise windows. I took 4 portrait-oriented slices of the landscape, going from left to right, at 3 exposures each.

The result coming out of the HDR processing didn’t turn out all that great. The colors, especially the parts of the street where twilight and streetlamp light were mixing, looked especially muddy and bad. Instead of trying to fix it I decided to just neutralize everything into a black and white, and tint the highlights cyan to add just a bit of energy into it. I think it looks quite a bit more unified and less distracting than the original color treatment.

 

I recently had the pleasure of shooting Rodolfo, a Cuban-born professional interpretive dancer in LA.

This first image was one of my favorites. It shows him relaxed and at ease. It’s unfortunate that his leg is cut off, but oh well, nothing I can do about it now. I wanted to accentuate and harden the curves on his arms and cheekbones, as well as remove the distracting conduit behind him.

This second image is closeup of his face and hands. Not too much digital fakery here, just a few tweaks to up-contrast and add punch to the image, balance his face relative to his hands, and adding some highlights to his wonderful shock of hair.

 


Rodolfo, originally uploaded by killerturnip.

Taken in Los Angeles downtown arts district, where there’s a whole street of colorful graffiti/murals.

I asked the model Rodolfo, who is also a dancer and choreographer, to leap into the air with his arms outstretched. Took me several takes to catch him in midair, in a classic rapture/alien abduction kind of pose.

I wanted to see what his form would look like against the busy background of the graffiti wall. I think it’s only moderately successful. The right half of the wall has a lot of warm tones that blend too closely to the model’s skin. Lesson learned for the next time. Find complementary colors for a background!

 


wm_MG_7372, originally uploaded by killerturnip.

We shot this at one of the buildings adjacent to Los Angeles Union Station. I wanted to get a classic, Mad Men style. William was seated at an armchair next to a full window, to get the soft sidelight on his face. If I had a bounce I would have used that to get a rim on his right side, but oh well. That glass table could have been placed further into the frame, IMO.

 


_MG_6563, originally uploaded by killerturnip.

On my way south along the main road that cuts through Joshua Tree National Park, saw this field of cholla cacti growing in the middle of the desert. The shape reminds me somewhat of undersea coral. Or what I think coral might look like–I’ve never been under the sea. On the base of some were little round balls of cactus, reminiscent of spiky, devilish tribbles. Unfortunately my shots of the devil tribbles didn’t turn out so well.

 


Our Milky Way, originally uploaded by killerturnip.

Downloaded a nice piece of freeware called Deep Sky Stacker. It did all the rotating, aligning, and stacking of images to produce this final image, which I tweaked only a little bit in Photoshop.

Much improved over my previous sloppy hand-stitched effort.

Much easier too.

 


Our Milky Way, originally uploaded by killerturnip.

Took an opportunity while camping at Joshua Tree to try my hand at astrophotography. Started with taking a number of exposures with my aperture set to f/2.8 for 15 seconds each at ISO 800. Then carefully rotated and nudged each image in Photoshop to get the stars aligned.

This is the final result, using 10 images stacked and added together. I forgot to take a dark frame for noise subtraction. Maybe I can figure out a way to do that later.

 


cc_MG_6159, originally uploaded by killerturnip.

While checking out the GLOW festival in Santa Monica another photog informed me that there would be a spacecraft launch from Vandenberg Air Force Base coming up in just under half an hour.

Cool, I thought maybe I could capture it arcing over the big ferris wheel on the Pier.

I dialed my camera to 30s at f/16, pointed it in the general direction of Vandenberg AFB (thanks to iPhone), and waited.

I almost missed it. There was this red thing moving through the sky. At first I thought it was a plane, but then I saw the discrete smoke trail.

Quickly I snapped the shutter, let it run for 30s, hoping the rocket would cross the entire field of view.

Nope. Crap. Press the shutter again.

The resulting image was a bit of a mess. The ferris wheel overexposed, the rocket trail only faintly visible.

I adjusted the two images in Lightroom. From the first RAW image I saved out two JPEGs, one with the ferris wheel properly exposed, another with the rocket trail accentuated. The second RAW image I saved out a copy with the rocket trail color-corrected.

Then in Photoshop I merged the three JPEGs into a single composite image using layer masks, to arrive at the final image.

 

It’s almost impossible not to take a good photo of Guerin, a new model I met at a recent shoot. She’s a classic beauty. It was a country-themed shot an she had a summer dress on. We shot at a new public space in LA that’s still a work-in-progress. Recently planted vegetation and saplings, not a lot of shade. I thought I could shoot her through some flowers with the sun overhead behind her. Worked out pretty well. Might have been nicer without the horizontal fence in the background.

Guerin

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